On one hand we have the dangerous creatures of Irish mythology and Terry Pratchett’s malicious Lords and Ladies; on the other, sexy elf-lords and twee little creatures with their homes in trees. How have our perceptions and cultural understanding of the Fae been altered, influenced or completely disregarded by modern fantasy novels, Hollywood, and TV shows like Carnival Row and Charmed?

Guest authors Peadar Ó Guilín and Ruth Frances Long/Jessica Thorne read from their recent work.

Many SFF stories involve romance – it’s part of human nature, after all. SFF romance as a subgenre is as varied and creative as the genre as a whole but has often been .dismissed and undervalued. But why should lovers (of romance) settle for it being considered second-best to dragons and rocket ships?

Once gruesome cautionary tales of warning, fairy tales somehow became cute children’s stories instead. Is it time for a return to the horror stories of old or do they need to evolve to remain alive? Are any of them no longer suitable for modern audiences, and is there room for both Disney sweetness and the grimmest of Grimm for children and adults alike?