Monthly Archives: May 2011

Oh the edits

It was admittedly a tight deadline, but the edits on May Queen (which may not be called May Queen anymore) went back on Sunday evening with Monday to spare. At the moment I’m mainly in recovery mode and looking forward to a bit of a break. And more edits, this time for Graffiti Angel (which may not be called Graffiti Angel anymore).

It’s funny how stories change, sometimes as you write them and sometimes during the course of the editing process. That’s the point of it, of course. To make it a stronger story, to make it better, shinier, to smooth out the rough bits or lop them off entirely if that’s what it takes.

I’ve mentioned before how much I love editing. I get completely absorbed by it. I was asked recently (while waffling away on Twitter as usual) about my editing process and maybe could I do a post on it. And I may–but not this post. I’m in the post-edit phase, where I’m physically and mentally exhausted. I have a massage booked for Thursday because the muscles in my neck and shoulders have tightened into something like wires and can’t seem to remember what relaxing is any more.

And yet, knowing that there are another batch of edits sitting there, waiting to be done, another book world to jump into and play with, it’s sooooooo tempting right now. Looking at them, just lurking in my inbox. They don’t have a deadline so I can take as long as I like to do them, and wait as long as I want until I start them. Before my agent freaks, that’s not going to happen, because that story is calling away to me and I know for a fact I won’t resist very long. (In fact I did the line edits last night… er… yeah, so much for taking a break…)

But this is part of why I love writing. Stories are magic. They pull you in, they absorb you in another world, and they can be really hard to shake off. As my mind is in an editing zone right now, it wants to edit. Simple as that. But right now I need a bit of a recharge and a chance to think about what needs to be done.

Yes, definitely need to do that post on editing process. Although I’m a little concerned about exposing to the world just how crazy I can be.

~~~oOo~~~

And the newsletter: the problem with newsletters right at the mo is there’s not much news – just me being editing-crazy. But I’ll have it out later today. Just be forewarned about the crazy, right? 🙂

Fairytales in fiction

Claire Hennesy has a thought provoking post up today about Retellings, where writers take well known and established stories like fairytales and folklore and use them as a base for their own stories, building on them, changing their slant or reworking them into something new. I started to reply there, but given the fact that I LOVE this subject, my reply started to get long, which is a little unfair on someone else’s blog. So I thought I’d put it here instead. You should of course read Claire’s post first! (but be warned, I now have MORE books to add to my neverending TBR pile).

For me, it seems to work the other way. Quite often I start out telling my own story and find that the fairy tale or mythic elements bleed through as the characters take on those ghostly archetypes that linger in the background of our cultural life. They are still my stories, my characters, still in their own stories but rather than deliberately drawing on archetypes I find they filter into the story in a subtle way (a hopefully subtle way). Because those fairytales are powerful things. They’re beguiling and whimsical. On the surface. But then you go deeper. And deeper. They tell raw and compelling stories when you whittle them down to their purest form. They have darker versions of themselves hidden away in the shadows behind our polished up 21st century versions.

So if I show you an image of a single glass slipper on a staircase, your mind fills in the rest and you go Ah-HA! If there’s blood on the slipper, or if the slipper shatters into a million pieces, your mind is both startled and intrigued. How has the story been changed? Or has it? Is there some older, darker version you haven’t heard before.

I think it’s part of the way writers often feel that stories tell themselves. That they run away with us clinging on for dear life via the pen.

So in my case a fantasy quest novel takes on elements of folklore and fairytales harking back to those older legends and the place of blood and sacrifice they came from. Or an urban fantasy set in modern day Dublin becomes a reimagining of the Percival legend with Celtic overtones and a heroine skirting to the wrong side of divine law.

Myths and folktales lend resonance to our stories and give a sense of a far deeper pool of storytelling behind them. It’s an exciting and abundant area in which to play.